Sontronics Sigma. 140 watts continuous from 20Hz to 20kHz. We positioned our vocalist six inches from each mic, and used a Steadman pop shield and an SE Reflexion filter. View & download of more than 59 Bamix PDF user manuals, service manuals, operating guides. All rights reserved. Initially one person felt they could hear some 'zippy' distortion high up, rather like a valve mic, and another felt that the extreme top was a little lumpy, with some audible resonances. Although perhaps not the first choice as a general-purpose vocal mic, its character is very smooth and classy and I can imagine a rock vocalist with sibilance problems would suit this mic well. Last month we introduced the mics; this month we put them to the test. Greg Chandler said he found the mic had a "clear, detailed and even response, with condenser-like qualities. There is no winner here by the way. It fell somewhere between the mid-range punch of the Royer and the vintage edge of the Sigma, but without having the detail of either. This category only includes cookies that ensures basic functionalities and security features of the website. InSight – Audio Research Past, Present, and Future, Audio Research Announces: REF160S Stereo Power Amplifier, SoundStage! Le migliori offerte per Beyerdynamic M160-Cardioide Doppio Hyper Multifunzione Strumento Microfono Mic sono su eBay Confronta prezzi e caratteristiche di prodotti nuovi e … The Coles 4038 and Beyer M160 showed why they're some people's first choice for this application. These mics are pretty uniformly fantastic, and you get perhaps more consistency and finesse than seen in any of the Eastern mics, which is down to the no-compromise attitude towards components and higher tolerances — but then, of course, the price-tags reflect this. We felt it would make a great first tube/ribbon mic for someone seeking some tube character, with the advantage of having that big, warm ribbon lower mid-range. We picked a few applications on which we might be likely to use ribbon mics and discussed the results, ranking them in order of preference. We also felt that the low mids were a bit messy, and the kick sounded quite boxy, with none of the punch of the Coles, the R1 Mk2, or even the little R2. Later, Greg Chandler, over at The Priory Studio, recorded a different female vocalist with the same mics to give us a second opinion, this time at 12 inches from the mics, also using a Steadman pop shield. We thought it would be more useful as a main overhead in pairs than as a crunch mic, for which role we felt it would capture too much cymbal information. Less proximity effect than some of the other ribbons makes it more suitable for closer miking. Both mics are fantastic.nnBoth mics going into Presonus ADL 600 tube pre. Though not particularly inspiring, it nonetheless put in a decent performance. At the cheapest extreme, for example, the R1 Mk2 comes with a mic-stand mount, a protective wind-glove and a good aluminium flight-case. If you’re like me, you are constantly challenged when it comes to recording great sounding acoustic drums. Extended HF response but still very smooth. The only down side would be our feeling that the high treble is a little recessed, so for sparkle on cymbals it might be worth supplementing with some condensers at times. ", "Quite a nasal sound on electric guitars. The results are all the more impressive considering the price. While this GhostMeter™ allows you to see the output tubes, it also incorporates an innovative dual-layer construction with distinctively etched markings that create an integrated power meter.